41-50 - Alexandra Hangan Sets

Alexandra Hangan never expected her forties to feel like a second beginning. At forty-one, she was a divorcee with a quiet apartment, a tenured position in comparative literature, and a carefully curated loneliness she mistook for peace. But life, she was about to learn, had other volumes in mind.

Set 47: The Midnight Grading

– Shoots conducted in raw, urban environments like warehouses or rooftops, utilizing metallic textures and gritty color grading. Set 49: "The Classic Silhouette" alexandra hangan sets 41-50

• A spine curved into a figure-eight knot, worn on the back of a seated figure.
• A spine coiled on the floor like a discarded telephone cord, with a bare foot resting on it.
• Two models facing each other, their external spines linked at the tailbone by a single rope knot.

Portfolio Sets: Her work is often organized into numbered sets (like 41–50) which are typically available through her personal website or subscription-based platforms linked in her social media bio.

Hangan physically printed her own portraits on raw canvas, then used a box cutter to create vertical slashes through the subjects’ facial region. She then re-photographed the slashed canvases under directional lighting, so the cuts cast shadows onto the wall behind. Alexandra Hangan never expected her forties to feel

Key Lessons for Club Players from Sets 41-50

What can the average chess player learn from studying Alexandra Hangan sets 41-50?

“You will.”

Nothing happens for 30 seconds. Then, simultaneously, each figure places a hand over one eye. They hold the pose for 10 seconds. Then they return to stillness.