Bjork - Post -1995- -flac- - Ausy Official

Released in June 1995, ’s second solo studio album, Post, is widely celebrated as an avant-pop masterpiece that refined the eclectic experimentalism of her first album, Debut. Moving from Iceland to London served as the catalyst for the record, which Björk described as a "literal postcard" to her homeland, capturing the restless, urban energy of her new life. The Sonic Landscape

Key Checks for Your FLAC Files

  1. Spectrum analysis: The Australian pressing typically shows a sharp cut around 19.5 kHz (due to inferior tape calibration). A proper UK/Japan FLAC extends to 22 kHz cleanly.
  2. Log file clues: A correct EAC (Exact Audio Copy) log will show “Range quality: 100%” and a read offset that matches a known non-Aus pressing.
  3. Silence gaps: On "Hyperballad", the gap between the intro noise and the first bass drop is precisely 1.8 seconds on UK discs; Australian discs often trim it to 1.5 seconds (indexing error).
  1. Army of Me
  2. Hyperballad
  3. The Modern Things
  4. It's Oh So Quiet
  5. Enjoy
  6. You've Been Flirting Again
  7. Isobel
  8. Possibly Maybe
  9. I Miss You
  10. Cover Me
  11. Headphones

Post is Björk's second studio album, following her international breakthrough Debut. It is widely considered one of the most influential pop albums of the 1990s, blending electronic, industrial, jazz, and trip-hop influences. Release Date: June 13, 1995 Key Tracks: "Army of Me" "Hyperballad" "It's Oh So Quiet" "Possibly Maybe" Bjork - Post -1995- -flac- - ausy

The Verdict: Build Your Ideal Post Playlist

For the ultimate Post listening session: Released in June 1995, ’s second solo studio

  1. "Homogenic" (1997): This album saw Björk incorporating more electronic and dance-oriented elements into her music. Tracks like "Bachelorette" and "All Is Full of Love" demonstrated her ability to craft infectious, danceable beats while maintaining her artistic integrity.
  2. "Vespertine" (2001): With "Vespertine," Björk pushed the boundaries of electronic music, incorporating intricate, classical-inspired arrangements and exploring themes of love, intimacy, and vulnerability.
  3. "Folklore" (2002): This album marked a departure from Björk's electronic sound, with a focus on more organic, acoustic instrumentation. "Folklore" featured collaborations with several notable musicians, including Laurie Anderson and Marius De Vries.
  4. "Medulla" (2004): Returning to her electronic roots, "Medulla" was a critically acclaimed album that explored the intersection of music and technology. Tracks like "My Head's Gone to Heaven" and "The Modern Things" showcased Björk's continued innovation and experimentation.

Industrial Power: The opener, "Army of Me," sets a dark, confrontational tone with its heavy rock drumbeat and fuzz-laden bass. Spectrum analysis: The Australian pressing typically shows a