Monella -1998- _best_

I think you meant "Mona Lisa - 1986" or probably "Monella" which is an Italian comedy film released in 1998.

From the iconic opening cycling sequence to the lush, golden-hued cinematography, the film is a "sunny sexy delight" that satirizes the rigid social norms of the era. The Protagonist: Monella -1998-

Act I – The Game of Denial: Lola and Masetto are deeply in love and engaged, but Lola has sworn to remain a virgin until their wedding night. However, she continuously stages erotic scenarios to torment Masetto: sunbathing nude on the riverbank, dancing provocatively at the local festa, and deliberately letting him “catch” her in compromising positions with inanimate objects. Masetto, a simple mechanic, vacillates between comic rage and pleading submission. I think you meant "Mona Lisa - 1986"

Frustrated by Masetto's refusal, Lola uses various provocative methods to seduce him and test his commitment. The plot also involves Lola's mother, Zaira (Serena Grandi), and her lover André (Patrick Mower), whom Lola considers as an alternative outlet for her curiosity. Ultimately, after a series of schemes and misunderstandings, Masetto breaks his vow, and the couple marries. Cast and Production Frivolous Lola (1998) - IMDb However, she continuously stages erotic scenarios to torment

Upon its release, Monella faced the usual hurdles associated with Brass’s filmography. Critics were divided: some dismissed it as mere smut, while others praised it as a masterpiece of "erotic kitsch" that celebrated the human form and the beauty of Italian life.

The Brass Aesthetic: Butts, Bicycles, and the Male Gaze

Stylistically, Monella is quintessential Tinto Brass. The camera is obsessed with the female form, specifically the posterior—Brass’s well-documented fixation. The film is packed with low-angle shots, upskirts, and close-ups of curves that would feel gratuitous in a drama but fit the film’s playful, cartoonish tone.