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2. Light on digital shift
Briefly mentions VTubers (Hololive, Nijisanji) and streaming (Netflix Japan originals), but lacks depth on how COVID or TikTok changed live events and fan clubs.
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Conclusion
Abstract The Japanese entertainment industry represents a unique economic and cultural ecosystem, distinguished by its ability to synthesize ancient aesthetic principles with cutting-edge digital technology. This paper examines the core sectors of this industry—music (J-Pop, idol culture), television (variety shows, drama), cinema (anime and live-action), and digital media (VTubers, gaming)—to argue that Japanese entertainment functions as a form of "soft power" that simultaneously preserves traditional values (hierarchy, collectivism, impermanence) and projects hypermodern futurism. The analysis concludes that the industry’s global influence is predicated on a dialectical tension between insular domestic production logics and transnational fan-driven consumption.
Unlike the fractured streaming landscape of the West, Japanese television (teresteru) retains an almost feudal grip on the population. The major networks—NHK (public), Nippon TV, TBS, Fuji TV, and TV Asahi—operate on a cartel-like system that prioritizes stability over risk. While it may struggle in extremely bright outdoor